This almost eliminates the need for artificial reverb, drastically reducing the amount of time you spend getting the ambience settings right. By choosing different microphone positions, you can mix these sounds together to create almost any desired position or depth level. To create the feel of a live concert hall, each instrument and section was recorded with three microphone positions: side by side, on stage (conductor position) and in the hall. All instruments sampled from close, stage and surround mics.Intelligent release track mechanism that automatically follows note velocity volume.
Intelligent Performance section including Portamento, Repetition, Legato and Round Robin Reset.Created by award-winning sound producers Doug Rogers and Nick Phoenix and recorded by Grammy-nominated classical recording engineer Professor Keith O.The best-selling and most award-winning orchestral collection ever created.You can create a convincing orchestral performance with minimal time and effort, and the natural atmosphere will make you feel like the instruments are playing live. Every detail of the recording hall is captured with incredible precision and detail, adding realism and shimmer to every note. Johnson, EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was awarded an unprecedented 3-time Sound On Sound Reader’s Choice Award and became the very first orchestral compilation recorded in a “modern” concert hall, where orchestras mostly perform. Recorded by 11-time Grammy-nominated classical recording engineer Professor Keith O. MULTIPLE AWARD-WINNING ORCHESTRAL FAVORITE COLLECTION They are more than strong enough when you need to add some warmth to your productions, but they are at their best when they have room to breathe and you gently control the expression (CC11). Strings – Expressive, buttery and incredibly smooth strings shine when you need to convey tenderness and inner strength.
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